!8: Bodum Teapot Review: 2012

Wednesday, April 4, 2012

The Decca Sound

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Post Date : Apr 04, 2012 16:00:10

The Decca Sound

A limited-edition 50-CD set of legendary recordings celebrating the world-renowned DECCA sound.

Classic-status pioneering stereo recordings from the past 55 years and starring a galaxy of internationally-acclaimed artistic talent. Each CD is presented in a sleeve with original cover art, along with a short review of the main work. Where an original release may have been of short duration due to limitations of the LP a bonus work featuring the same artists has been added. Also included is a 200-page booklet documenting the development of stereo recording as it developed in the 1950s through to modern digital recordings. Full recording information on each disc is included and there are numerous photographs. Truly a must-have collection for any audiophile.

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Tuesday, April 3, 2012

Women's Tignanello Purse Leather Handbag Power Pebble Round Shopper Glam Red

Brand : Tignanello
Post Date : Apr 03, 2012 20:49:53

Women's Tignanello Purse Leather Handbag Power Pebble Round Shopper Glam Red

2 Handles; Silver Hardware
Magnetic Closure
2 Exterior Pouches; Exterior Zip Pocket
Interior Zip Divider w Pouches on Each Side; Zip Pocket; 2 Slip Pockets
13" x 11" x 5"

What a FABULOUS Tignanello Handbag!!

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Sunday, April 1, 2012

Leonard Bernstein: The Symphony Edition

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Post Date : Apr 01, 2012 12:38:15

Leonard Bernstein: The Symphony Edition

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Saturday, March 17, 2012

Complete Duo Recordings

!#8# Complete Duo Recordings

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| Price : $53.56 | Post Date : Mar 17, 2012 06:15:23
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Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.

Any discussion of Beethoven's violin sonatas (CDs 1, 4, 9 & 10) must address the fact that the composer did not designate these works as being "for violin and piano". For example, the first published edition of the "Spring" Sonata op. 24 from October 1801 reads "Sonate pour le Piano Forte," in large letters, followed in smaller print by "avec un Violon." Similarly, the title-page of the first edition of the "Kreutzer" Sonata op. 47 from April 1805 reads "Sonata per il Piano-forte ed un Violino obligato." None of this should be taken to mean that the violin writing plays "second fiddle" to the piano part, so to speak, but rather that both instruments carry equal weight within the musical discourse.

Argerich and Kremer understood this from the start of their recorded Beethoven encounters, originally intended as part of a series encompassing all the violin sonatas, the music for cello and piano with Maisky, plus the five piano concerti with Giuseppe Sinopoli and the Philharmonia Orchestra (in the end, Argerich and Sinopoli recorded only the First and Second Concertos). Initially Argerich expressed apprehension about recording Beethoven, lest her readings might sound self-conscious under the microphone's objective, unforgiving scrutiny. Yet, during an interview conducted prior to the cycle's final sessions, both Argerich and Kremer spoke of using the recording process to look for the unexpected. "It was an inspired idea to match (Argerich) against a violinist so unpredictable as she is herself," wrote Edward Greenfield in Gramophone, "for though there is nothing `safe' about these interpretations, and not everyone will respond to their sparkling, volatile qualities, the liveness of the experience is undeniable."

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Thursday, March 1, 2012

Complete Beethoven Edition

!#8# Complete Beethoven Edition

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| Price : $99.95 | Post Date : Mar 01, 2012 15:17:21
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Monday, February 27, 2012

Leonard Bernstein - Young People's Concerts / New York Philharmonic

!#8# Leonard Bernstein - Young People's Concerts / New York Philharmonic

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| Price : $96.99 | Post Date : Feb 27, 2012 05:32:04
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Leonard Bernstein's Young People's Concerts with the New York Philharmonic stand among his greatest achievements. These televised programs introduced an entire generation to the joys of classical music. Bernstein conducted his first Young People's Concert on January 18, 1958, just two weeks after becoming Music Director of the New York Philharmonic. Such programs were already a Philharmonic tradition when Bernstein arrived, but he made them a centerpiece of his work, part of what he described as his "educational mission." Looking back on the concerts years later, he referred to them as being "among my favorite, most highly prized activities of my life." When he took a sabbatical season from the orchestra in 1964-65, he still came back to lead the Young People's Concerts. He continued to lead these programs until 1972, even though he had stepped down as director of the Philharmonic in 1969. Bernstein led a total of fifty-three Young People's Concerts during those fourteen years, and covered a broad range of subjects. The works of the great composers were explored, including tributes to modern masters such as Dmitri Shostakovich, Paul Hindemith, Gustav Holst, Aaron Copland and Charles Ives. Bernstein discussed "Jazz in the Concert Hall," "Folk Music in the Concert Hall," and "The Latin-American Spirit." He explained the intricacies of Music Theory in programs such as "Musical Atoms: A Study of Intervals" and "What is a Mode?" He broached complex aesthetic issues such as "What Does Music Mean?" (his first program) with clarity and without condescension. Bernstein also used the Young People's Concerts to introduce young performers to the musical world. The sixteen year-old pianist André Watts made his debut in the concert of January 15, 1963. Originally broadcast on Saturday mornings, the programs were considered so important that for three glorious years CBS presented them at 7:30 p.m. (prime time for television viewing). Eventually the programs were moved to Sunday afternoons. The concerts were translated into other languages and syndicated to forty countries.

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Sunday, January 8, 2012

Bodum Columbia 32-Ounce Thermal Tea Press, Stainless Steel

!#8#Bodum Columbia 32-Ounce Thermal Tea Press, Stainless Steel

Brand : Bodum
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Price : $94.95
Post Date : Jan 08, 2012 23:00:53
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The Thermal Columbia Tea Press is a simple solution for brewing loose leaf tea and keeping it warm without over steeping. Made of double wall stainless steel, the Columbia Tea Press will keep your tea hot for approximately 2 hours. Because the press completely stops the brewing process, you can enjoy your tea over time with the confidence that the extraction and flavor will remain the same as the moment you pressed and stopped the brewing. The Columbia eliminates "stewed" or bitter over-extracted tea. Just add loose leaf tea to the infuser, fill the pot with hot water, and let the tea steep to your liking. Once you are ready, press the plunger down and stop the brewing process. Now you are ready to enjoy your tea. For even better results, preheat the pot with hot water to maximize the insulation. The 4 Cup Columbia Tea Press yields approximately 4 - 8 ounce cups.

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